This integrated set of essays introduces students to the complexities of researching and analyzing "race". Chapters focus on the problems historians and social scientists, white and black, north and south, confronted while researching, writing, and interpreting race and slavery from the late nineteenth century until 1953.

This integrated set of essays introduces students to the complexities of researching and analyzing "race". Chapters focus on the problems historians and social scientists, white and black, north and south, confronted while researching, writing, and interpreting race and slavery from the late nineteenth century until 1953.

In 1863, as the Civil War raged, the escaped slave, abolitionist, and novelist William Wells Brown identified two groups most harmful to his race. "The first and most relentless," he explained, "are those who have done them the greatest injury, by being instrumental in their enslavement and consequent degradation. They delight to descant upon the 'natural inferiority' of the blacks, and claim that we were destined only for a servile condition, entitled neither to liberty nor the legitimate pursuit of happiness." "The second class," Brown concluded, "are those who are ignorant of the characteristics of the race, and are the mere echoes of the first." Four years later, Brown wrote the first military history of African Americans, The Negro in the American Rebellion. This text assailed those whose hatred and ignorance inclined them to keep blacks oppressed after Appomattox. This critical edition of The Negro in the American Rebellion, one of Brown's least-analyzed texts, is the first to appear in more than three decades. In his introduction, historian John David Smith identifies the text's Anglo-American abolitionist roots, sets it in the context of Brown's other writings, appraises it as military history, analyzes its interpretation of black masculinity and honor, and focuses closely on Brown's assessment of contemporary racial tensions. Largely ignored by scholars, The Negro in the American Rebellion, Smith argues, is a powerful transitional text, one that confronted squarely the neo-slavery of the Reconstruction era. "Whites," Brown wrote, "appear determined to reduce the blacks to a state of serfdom if they cannot have them as slaves." His important text was a call to arms in the ongoing race struggle. Smith's analysis, framed within recent scholarship on slavery, emancipation, and African American participation in the U.S. army, is long overdue.

The Worlds of James Buchanan and Thaddeus Stevens examines the political interests, relationships, and practices of two of the era's most prominent politicians as well as the political landscapes they inhabited and informed. Both men called Lancaster County, Pennsylvania, their home, and both were bachelors. During the 1850s, James Buchanan tried to keep the Democratic Party alive as the slavery debate divided his peers and the political system. Thaddeus Stevens, meanwhile, as Whig turned Republican, invested in the federal government to encourage economic development and social reform, especially antislavery and Republican Reconstruction. Considering Buchanan and Stevens's divergent lives alongside their political and social worlds reveals the dynamics and directions of American politics, especially northern interests and identities. While focusing on these individuals, the contributors also explore the roles of parties and patronage in informing political loyalties and behavior. They further track personal connections across lines of gender and geography and underline the importance of details like who regularly dined and conversed with whom, the complex social milieu of Washington, the role of rumor in determining political allegiances, and the ways personality and failing relationships mattered in a hothouse of national politics fueled by slavery and expansion. The essays in The Worlds of James Buchanan and Thaddeus Stevens collectively invite further consideration of how parties, personality, place, and private lives influenced the political interests and actions of an age affected by race, religion, region, civil war, and reconstruction.

As a Unionist but also proslavery state during the American Civil War, Kentucky occupied a contentious space both politically and geographically. In many ways, its pragmatic attitude toward compromise left it in a cultural no-man's-land. The constant negotiation between the state's nationalistic and Southern identities left many Kentuckians alienated and conflicted. Lincoln referred to Kentucky as the crown jewel of the Union slave states due to its sizable population, agricultural resources, and geographic position, and these advantages, coupled with the state's difficult relationship to both the Union and slavery, ultimately impacted the outcome of the war. Despite Kentucky's central role, relatively little has been written about the aftermath of the Civil War in the state and how the conflict shaped the commonwealth we know today. New Perspectives on Civil War–Era Kentucky offers readers ten essays that paint a rich and complex image of Kentucky during the Civil War. First appearing in the Register of the Kentucky Historical Society, these essays cover topics ranging from women in wartime to Black legislators in the postwar period. From diverse perspectives, both inside and outside the state, the contributors shine a light on the complicated identities of Kentucky and its citizens in a defining moment of American history.

As a Unionist but also proslavery state during the American Civil War, Kentucky occupied a contentious space both politically and geographically. In many ways, its pragmatic attitude toward compromise left it in a cultural no-man's-land. The constant negotiation between the state's nationalistic and Southern identities left many Kentuckians alienated and conflicted. Lincoln referred to Kentucky as the crown jewel of the Union slave states due to its sizable population, agricultural resources, and geographic position, and these advantages, coupled with the state's difficult relationship to both the Union and slavery, ultimately impacted the outcome of the war. Despite Kentucky's central role, relatively little has been written about the aftermath of the Civil War in the state and how the conflict shaped the commonwealth we know today. New Perspectives on Civil War–Era Kentucky offers readers ten essays that paint a rich and complex image of Kentucky during the Civil War. First appearing in the Register of the Kentucky Historical Society, these essays cover topics ranging from women in wartime to Black legislators in the postwar period. From diverse perspectives, both inside and outside the state, the contributors shine a light on the complicated identities of Kentucky and its citizens in a defining moment of American history.

Ella Josephine Baker (1903-1986) was among the most influential strategists of the most important social movement in modern US history, the Civil Rights Movement, yet most Americans have never heard of her. Behind the scenes, she organized on behalf of the major civil rights organizations of her day—the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Council (SCLC), and the Student Nonviolent Coordinating Committee (SNCC)—among many other activist groups. As she once told an interviewer, “[Y]ou didn’t see me on television, you didn’t see news stories about me. The kind of role that I tried to play was to pick up pieces or put pieces together out of which I hoped organization might come. My theory is, strong people don’t need strong leaders.” Rejecting charismatic leadership as a means of social change, Baker invented a form of grassroots community organizing for social justice that had a profound impact on the struggle for civil rights and continues to inspire agents of change on behalf of a wide variety of social issues. In this book, historian J. Todd Moye masterfully reconstructs Baker’s life and contribution for a new generation of readers. Those who despair that the civil rights story is told too often from the top down and at the dearth of accessible works on women who helped shape the movement will welcome this new addition to the Library of African American Biography series, designed to provide concise, readable, and up-to-date lives of leading black figures in American history.

Slavery in Mississippi, first published in 1933, is a deeply researched and tightly argued social and economic study of slave life in Mississippi by Charles S. Sydnor (1898-1954). Inspired by Ulrich B. Phillips's American Negro Slavery (1918) and Life and Labor in the Old South (1929), Sydnor strived to test Phillips's contention that slavery was simultaneously a benign institution for African American slaves and an unprofitable one for their masters. Sydnor included path-breaking chapters on such broad scholarly topics as slave labour, slave trading, and the profitability of slavery, but he also examined in depth slave clothing, food, shelter, physical and social care, police control, slave fugitives, and punishments and rewards. More thorough than many previous historians, Sydnor examined how slavery ""worked"" as a social and economic system--how slaves actually lived, how planters bought, cared for, controlled, hired out, and sold their human property. Historian John David Smith's new introduction to this Southern Classic edition frames the original text within the scholarship on slavery in the interwar years, presents its arguments, chronicles its reception by white and black critics, and highlights the ongoing debates about slavery, especially on the profitability of slavery and the conditions of slave life sparked by Sydnor's influential book.

A leading proponent of racial equality in the United States during the second half of the nineteenth century, Albion W. Tourg?e (1838--1905) served as the most articulate spokesman of the radical wing of the Republican party, and he continued to advocate for its egalitarian ideals long after Reconstruction ended. Undaunted Radical presents Tourg?e's most significant letters, speeches, and essays from the commencement of Radical Reconstruction through the bleak days of the era of Jim Crow.

An Ohioan by birth, Tourg?e served in the Union army and afterwards moved to North Carolina, where he helped draft the 1868 state constitution. Within that and other documents he proposed free public education, the abolition of whipping posts, the end of property qualifications for jury duty and office holding, and the initiation of judicial reform and uniform taxation. Tourg?e also served as a Republican-installed superior court judge, a position that brought him into increasing conflict with the Ku Klux Klan. In 1879, he published A Fool's Errand, a bestselling novel based on his Reconstruction experiences. Although now often overlooked, Tourg?e in his lifetime offered a prominent voice of reason amid the segregation, disenfranchisement, lynching, racial propaganda, and mythologies about African Americans that haunted Reconstruction-era society and Gilded Age politics.

These thirty-four documents elaborate the reformer's opinions on the Reconstruction Amendments, his generation's racial and economic theories, the cultural politics of North-South reconciliation, the ethics of corporate capitalism, the Social Gospel movement, and the philosophical underpinnings of American democratic citizenship. Mark Elliott and John David Smith, among the foremost authorities on Tourg?e, have brought these writings, including the previously unpublished oral arguments Tourg?e delivered before the U.S. Supreme Court as Homer Plessy's lead attorney in Plessy v. Ferguson (1896), together in one volume.

The book also includes an introductory overview of Tourg?e's life and an exhaustive bibliography of Tourg?e's writings and related works, providing an essential collection for anyone studying Reconstruction and the early civil rights movement.

William Hannibal Thomas (1843-1935) served with distinction in the U.S. Colored Troops in the Civil War (in which he lost an arm) and was a preacher, teacher, lawyer, state legislator, and journalist following Appomattox. In many publications up through the 1890s, Thomas espoused a critical though optimistic black nationalist ideology. After his mid-twenties, however, Thomas began exhibiting a self-destructive personality, one that kept him in constant trouble with authorities and always on the run. His book The American Negro (1901) was his final self-destructive act. Attacking African Americans in gross and insulting language in this utterly pessimistic book, Thomas blamed them for the contemporary "Negro problem" and argued that the race required radical redemption based on improved "character," not changed "color." Vague in his recommendations, Thomas implied that blacks should model themselves after certain mulattoes, most notably William Hannibal Thomas. Black Judas is a biography of Thomas, a publishing history of The American Negro, and an analysis of that book's significance to American racial thought. The book is based on fifteen years of research, including research in postamputation trauma and psychoanalytic theory on selfhatred, to assess Thomas's metamorphosis from a constructive race critic to a black Negrophobe. John David Smith argues that his radical shift resulted from key emotional and physical traumas that mirrored Thomas's life history of exposure to white racism and intense physical pain.

The Wild East explores the social, political, and environmental changes in the Great Smoky Mountains during the 19th and 20th centuries. Although this national park is most often portrayed as a triumph of wilderness preservation, Margaret Lynn Brown concludes that the largest forested region in the eastern United States is actually a re-created wilderness -- a product of restoration and even manipulation of the land.

Between 1910 and 1920, corporate lumbermen built railroads into the most remote watersheds and removed more than 60 percent of the old-growth forest. During the 1930s, landscape architects and Civilian Conservation Corps workers transformed the Smokies, building trails, campgrounds, and facilities that memorialized the rustic ideals of Roosevelt-style conservation. With the advent of the 1950s, enthusiasm for the national park system boomed again; cultural interpreters went to work. During the 1960s, however, wilderness advocates began lobbying for a more natural-looking landscape.

In the 1970s, Brown writes, the Smokies faced many of the consequences of these management decisions. Major crises pushed park officials toward a greater regard for ecology and scientists trained during the environmental movement foraged through the land's history and sought to re-create the look of the landscape before human settlement. Park management continues to waffle between these shifting views of wilderness, negotiating the often contradictory mission of promoting tourism and ensuring preservation.

This early work by the esteemed historian Charles P. Roland draws from an abundance of primary sources to describe how the Civil War brought south Louisiana's sugarcane industry to the brink of extinction, and disaster to the lives of civilians both black and white. A gifted raconteur, Roland sets the scene where the Louisiana cane country formed ""a favoured and colourful part of the Old South,"" and then unfolds the series of events that changed it forever: secession, blockade, invasion, occupation, emancipation, and defeat. Though sugarcane survived, production did not match prewar levels for twenty-five years. Roland's approach is both illustrative of an earlier era and remarkably seminal to current emancipation studies. He displays sympathy for plantation owners' losses, but he considers as well the sufferings of women, slaves, and freedmen, yielding a rich study of the social, cultural, economic, and agricultural facets of Louisiana's sugar plantations during the Civil War.

Films possess virtually unlimited power for crafting broad interpretations of American history. Nineteenth-century America has proven especially conducive to Hollywood imaginations, producing indelible images like the plight of Davy Crockett and the defenders of the Alamo, Pickett's doomed charge at Gettysburg, the proliferation and destruction of plantation slavery in the American South, Custer's fateful decision to divide his forces at Little Big Horn, and the onset of immigration and industrialization that saw Old World lifestyles and customs dissolve amid rapidly changing environments. Balancing historical nuance with passion for cinematic narratives, Writing History with Lightning confronts how movies about nineteenth-century America influence the ways in which mass audiences remember, understand, and envision the nation's past. In these twenty-six essays- divided by the editors into sections on topics like frontiers, slavery, the Civil War, the Lost Cause, and the West- notable historians engage with films and the historical events they ostensibly depict. Instead of just separating fact from fiction, the essays contemplate the extent to which movies generate and promulgate collective memories of American history. Along with new takes on familiar classics like Young Mr. Lincoln and They Died with Their Boots On, the volume covers several films released in recent years, including The Revenant, 12 Years a Slave, The Birth of a Nation, Free State of Jones, and The Hateful Eight. The authors address Hollywood epics like The Alamo and Amistad, arguing that these movies flatten the historical record to promote nationalist visions. The contributors also examine overlooked films like Hester Street and Daughters of the Dust, considering their portraits of marginalized communities as transformative perspectives on American culture. By surveying films about nineteenth-century America, Writing History with Lightning analyzes how movies create popular understandings of American history and why those interpretations change over time.

A History of the Negro Troops in the War of the Rebellion, 1861-1865 (originally published in 1887) by pioneer African American historian George Washington Williams remains a classic text in African American literature and Civil War history. In this powerful narrative, Williams, who served in the U.S. Colored Troops, tells the battle experiences of the almost 200,000 black men who fought for the Union cause. Determined to document the contributions of his fellow black soldiers, and to underscore the valor and manhood of his race, Williams gathered his material from the official records of U.S. and foreign governments, and from the orderly books and personal recollections of officerscommanding Negro troops during the American Civil War. The new edition of this important text includes an introductory essay by the award-winning historian John David Smith. In his essay, Smith narrates and evaluates the book's contents, analyzes its reception by contemporary critics, and evaluates Williams's work within the context of its day and its place in current historiography.

Frances Peter was one of the eleven children of Dr. Robert Peter, a surgeon for the Union army. The Peter family lived on Gratz Park near downtown Lexington, where nineteen-year-old Frances began recording her impressions of the Civil War. Because of illness, she did not often venture outside her home but was able to gather a remarkable amount of information from friends, neighbors, and newspapers. Peter's candid diary chronicles Kentucky's invasion by Confederates under Gen. Braxton Bragg in 1862, Lexington's month-long occupation by Gen. Edmund Kirby Smith, and changes in attitude among the slave population following the Emancipation Proclamation. As troops from both North and South took turns holding the city, she repeatedly emphasized the rightness of the Union cause and minced no words in expressing her disdain for the hated "secesh." Her writings articulate many concerns common to Kentucky Unionists. Though she was an ardent supporter of the war against the Confederacy, Peter also worried that Lincoln's use of authority exceeded his constitutional rights. Her own attitudes towards blacks were ambiguous, as was the case with many people in that time. Peter's descriptions of daily events in an occupied city provide valuable insights and a unique feminine perspective on an underappreciated aspect of the war. Until her death by epileptic seizure in August 1864, Peter conscientiously recorded the position and deportment of both Union and Confederate soldiers, incidents at the military hospitals, and stories from the countryside. Her account of a torn and divided region is a window to the war through the gaze of a young woman of intelligence and substance.

Jackie Robinson's story is not only a compelling drama of heroism, but also as a template of the African American freedom struggle. A towering athletic talent, Robinson's greater impact was on preparing the way for the civil rights reform wave following WWII. But Robinson's story has always been far more complex than the public perception has allowed. Brooklyn Dodgers executive Branch Rickey famously told the young Robinson that he was "looking for a ballplayer with guts enough not to fight back." J. Christopher Schutz reveals the real Robinson, as a more defiant, combative spirit than simply the "turn the other cheek" compliant "credit to his race." The triumph of Robinson's inclusion in the white Major Leagues (which presaged blacks' later inclusion in the broader society) also included the slow demise of black-owned commercial enterprise in the Negro Leagues (which likewise presaged the unrecoverable loss of other important black institutions after civil rights gains). Examining this key figure at the crossroads of baseball and civil rights histories, Schutz provides a cohesive exploration of the man and the times that made him great.

Ulrich Bonnell Phillips (1877 -1934) established a reputation as one of the early twentieth century's foremost authorities on the history of African American slavery and the Old South. An empiricist, Phillips approached his subjects analytically and dispassionately, and his scholarship shaped historical investigation of the South for decades. Phillips was an empiricist and based his writing on an array of primary sources, including a growing collection of photographs he accumulated during his research. These images of plantation crops and machinery, agricultural scenes, distinctive architecture, white southerners, and former slaves and their descendants collectively record much about the life and labor in the rural South three decades before the Farm Security Administration undertook its own documentary projects during the New Deal.
In Seeing the New South, photography historian Patricia Bixel and Phillips scholar and historian John David Smith delve into the visual record Phillips left behind, publishing many of these photographs for the first time and integrating his photographic archive with his research and teachings on the history of the South. For example, his Life and Labor in the Old South, published in 1929, was well illustrated with useful photographs. The bulk of Phillips's papers resides in the Sterling Memorial Library at Yale University. The collection includes sixty lantern slides and many photographic prints that Phillips employed in his work. Bixel and Smith uncovered another five hundred images that greatly expanded Phillips's visual archive. Taken between 1904 and 1930, these images provide glimpses of a Southern landscape rarely seen and even more rarely photographed, offering a striking visual account of early-twentieth-century life in the rural South.
Phillips deliberately sought out images of buildings and agricultural scenes emblematic of the South, representative portraits of white and black southerners, and distinctive depictions of farm and town life. Some photographs reinforce Phillips's arguments about the general backwardness of an impoverished rural South and about the limitations of the region's agricultural and industrial economies. But his images also documented active independent black and white communities with diverse economic practices and subcultures. This first-ever collection of Phillips's photographs provides dramatic documentation of economic and social life during an era seldom captured on film, yielding striking visual portraits of human dignity in black and white.

From the late nineteenth century until World War I, a group of Columbia University students gathered under the mentorship of the renowned historian William Archibald Dunning (1857--1922). Known as the Dunning School, these students wrote the first generation of state studies on the Reconstruction -- volumes that generally sympathized with white southerners, interpreted radical Reconstruction as a mean-spirited usurpation of federal power, and cast the Republican Party as a coalition of carpetbaggers, freedmen, scalawags, and former Unionists. Edited by the award-winning historian John David Smith and J. Vincent Lowery, The Dunning School focuses on this controversial group of historians and its scholarly output. Despite their methodological limitations and racial bias, the Dunning historians' writings prefigured the sources and questions that later historians of the Reconstruction would utilize and address. Many of their pioneering dissertations remain important to ongoing debates on the broad meaning of the Civil War and Reconstruction and the evolution of American historical scholarship. This groundbreaking collection of original essays offers a fair and critical assessment of the Dunning School that focuses on the group's purpose, the strengths and weaknesses of its constituents, and its legacy. Squaring the past with the present, this important book also explores the evolution of historical interpretations over time and illuminates the ways in which contemporary political, racial, and social questions shape historical analyses.

Paul Robeson: A Life of Activism and Art is the biography of an African American icon and a demonstration of historian Lindsey R. Swindall's knack for thorough, detailed research and reflection. Paul Robeson was, at points in his life, an actor, singer, football player, political activist and writer, one of the most diversely talented members of the Harlem Renaissance. Swindall centers Robeson's story around the argument that while Robeson leaned toward Socialism, a Pan-African perspective is fundamental to understanding his life as an artist and political advocate. Many previous works on Robeson have focused primarily on his involvement with the US Communist Party, paying little attention to the broader African influences on his politics and art. With each chapter focused on a decade of his life, this book affords us a fresh look at his story, and the ways in which the struggles, successes and studies of his formative years came to shape him as an artist, activist and man later on. Robeson's story is one not simply of politics and protest, but of a man's lifelong evolution from an athlete to an entertainer to an indispensible man of letters and African American thought. Swindall neatly outlines the events of Robeson's life in a way that freshly presents him as a man whose work was influenced by more than just his circumstances, but by a spirit rooted in dedication to the African's place in American art and politics.

Inspired and informed by the latest research in African American, military, and social history, the fourteen original essays in this book tell the stories of the African American soldiers who fought for the Union cause, Collectively, these essays probe the broad military, political, and social significance of black soldiers' armed service, enriching our understanding of the Civil War and African American life during and after the conflict. The contributors are Anne J. Bailey, Arthur W. Bergeron Jr., John Cimprich, Lawrence Lee Hewitt, Richard Lowe, Thomas D. Mays, Michael T. Meier, Edwin S. Redkey, Richard Reid, William Glenn Robertson, John David Smith, Noah Andre Trudeau, Keith Wilson, and Robert J. Zalimas Jr.

George W. Squier was one of the thousands of men from Indiana who heeded Lincoln's call for volunteers at the onset of the Civil War. As a soldier in the 44th Indiana Volunteer Infantry, he fought in the Western theater -- seeing action at Fort Donelson, Shiloh, Stones River, and Chickamauga -- and rose to the grade of captain by the late winter of 1865. Throughout his service, he wrote detailed, eloquent, and often unusually candid letters to his wife, not only describing battles and army life but also espousing strong views on slavery and emancipation, Lincoln's leadership, the use of black soldiers, and the causes and direction of the war. This Wilderness of War brings Squier's Civil War correspondence to print for the first time.

Squier's letters underscore the depth of his love for his family, his devotion to the Union cause, and his commitment to antislavery ideology. They also yield some surprising details not often found in soldiers' writings to their families: Squier described, for example, the mutilation of the dead and wounded and acknowledged the practice of robbing the enemy dead (something he himself even admitted to doing). Revealed as well are Squier's growing disillusionment and cynicism as the war dragged on. Though he vehemently opposed slavery and welcomed emancipation, after the war he often found himself in sharp disagreement with the views of the Radical Republicans. In particular, he came to feel that white southerners were increasingly being discriminated against and that African Americans should not be lifted immediately to a full state of political power. It was an attitude that typified the ambivalence of many white northerners toward the course ofReconstruction policy.

Squier's outspoken views on the politics of his day combine with his vivid recountings of his wartime experience to make this volume a unique and important contribution to the literature of the Civil War.

Utilizing biographical, demographic, political, social, and cultural approaches, the nine essays in this book provide a probing look at the South's diversity and its important place in the national past. The authors explore the tension between the South's well-worn mythic images and the diversity that bred such influential leaders as Philip Mazzei, Henry Clay, A. B. Happy Chandler, and John Sherman Cooper. The chapters illustrate the South's complexity in assessing the region's plain folk, slave panics, military strategy, racial reform, and temperance movement. The book untangles the South's mythology and offers fresh and penetrating insights into the ongoing reassessment of the region.

Written by leading experts on the South's rich past, this book provides nine essays on the history of the South. Utilizing biographical, demographic, political, social, and cultural approaches, the essays provide a probing look at the South's diversity and its important place in the national past. The authors explore the tension between the South's well-worn images and the diversity that bred such influential leaders as Philip Mazzei, Henry Clay, A. B. Happy Chandler, and John Sherman Cooper.

The South has always been a land of complexity and change. "A Mythic Land Apart" illustrates this in assessing the region's plain folk, slave panics, military strategy, racial reform, and temperance movement. Whether captured in fiction, film, or historical literature, the South's history remains intertwined with its mythic self. The essays in this book untangle the South's mythololgy and offer fresh and penetrating insights into the ongoing reassessment of the region.

In 1988 Greenwood Press published the "Dictionary of Afro-American Slavery" to wide acclaim by the library community and scholars in the field. The "Dictionary" was issued at a time when the study of slavery commanded a central place in American historical thinking and, increasingly, in a host of other disciplines as well. Interest in slavery has not abated. Yet, despite a growing sophistication in methodology and complexity of analysis, the basic contours of the study of slavery remain much the same as when the "Dictionary" first appeared. To take the latest scholarship into account, the editors have added a new introduction surveying the principal themes in research and writing over the past decade and have appended a bibliography, arranged by broad thematic areas keyed to topics treated in the text.

In 1988 Greenwood Press published the "Dictionary of Afro-American Slavery" to wide acclaim by the library community and scholars in the field. It was selected as a Best Reference Book by "Library Journal," a "Choice" Outstanding Academic Book, and an American Library Association Outstanding Reference Book. Historian John Hope Franklin declared it an indispensable tool for all students of human bondage, while the "Journal of the Early Republic" announced it has something for everyone interested in Afro-American slavery, from the general reader to undergraduate student to professional historian.

The "Dictionary" appeared at a time when the study of slavery commanded a central place in American historical thinking and, increasingly, in a host of other disciplines as well. Interest in slavery has not abated. Yet, despite a growing sophistication in methodology and complexity of analysis, the basic contours of the study remain much the same as when the "Dictionary" was first issued. To take the latest scholarship into account, the editors have appended a bibliography, arranged by broad thematic areas keyed to topics treated in the text. The bibliography, augmented by the historiographical review of the scholarship of the last decade, makes the "Dictionary" an invaluable guide for students and scholars alike.

One of the most controversial historians of the American South, Ulrich Bonnell Phillips, has been the object of intense scholarly interest for nearly seventy-five years. His contributions to our knowledge of the social and economic aspects of slavery--along with his well-known racial and class biases--have been discussed extensively. This anthology represents the best work on Phillips published between 1913 and 1986.

The senior editor's introduction examines Phillips' role in the transition to the new social and economic approach that characterizes contemporary historiography. Twenty-six essays and excerpts by recognized authorities assess various aspects of Phillips's writings and career, including his background and training, regional and racial prejudices, methodology, and the historical genres in which he worked. A brief interpretive introduction prefaces each chapter. A chronological listing of the critical literature on Phillips completes the volume. Reflecting the vast scope of Phillips's contributions and his pervasive influence in the field, this collection is pertinent to studies in southern history, historiography, Afro-American history, and the history of race relations.